Poor Creatures by Yorgos Lanthimos: Film Review
Name : Poor things
father : Yorgos Lanthimos
birth date : January 17, 2024
Type: Theatrical release
Nationality : USA
Size : 2h21/ weight :NC
caste : Comedy, Drama, Fantasy
Family Record Book: Emma Stone, Mark Ruffalo, Willem Dafoe…
Distinctive signs: Singularly brilliant.
Summary: Bella is the brilliant and unconventional Dr. Godwin is a young woman brought back to life by Baxter. Under his protection, he is eager to learn. Eager to discover a world she knows nothing about, she runs away with Duncan Wedderburn, a brilliant and notorious lawyer, and embarks on a criss-crossing odyssey. Invulnerable to the prejudices of his time, Bella is determined not to give in to the principles of equality and emancipation.
A definite look at the world
Our opinion Poor creatures
What a story! What a movie creator! What an actress! And the combination of these three exclamations leads to a fourth: What a film! Or rather, what a great movie! Brain, sex, naivety, socialism, dominant patriarchy, world travel, love, pain, liberated feminism, exploitation, violence, vagina, goat and experience reports, Yorgos Lanthimos, Yorgos Lanthimos creates a film. Nourished by reflection on the current state of the world. From feminist rebellion to rebel capitalism through the disarming view that a virgin mind can have on a flowing humanity, Poor creatures There is a masterclass whose intelligence we can never appreciate too much.
Like a little bit Edward Scissorhands, Poor creatures The world is an odyssey of anachronistic discovery. Carrying the innocence dear to her newborn brain in an adult body, Bella has no spirit. It is a blank page that has not yet been conditioned by norms, by ideas, by experience. He would thus observe the world as it turns, that is to say against the grain of a priori logic. Violence, poverty, a patriarchy that fears, the rebellion of subjugated women, lost innocence, greed, norms that stifle freedom, such a picture passes before her eyes that sinks into incomprehensibility. From the gap between her candid freshness and the reality of the world she perceives without codes, moments of great humor will arise. Even moments of great cruelty. But above all, Lanthimos reflects on the shackles that limit us and on the nonsense that dictates the course of the world.
A re-reading of the Frankenstein myth anchored in modern allegory, Poor creatures A film of contrasts, the crazy and the obvious, the elegant and the riotous, the fun and the cerebral, the radical and the accessible, the complex and the very simple, the fun and the uncomfortable, the brutal and so moving. Yorgos Lanthimos’ best film ever. As for Emma Stone, barring an injustice like never before, her mind-blowing performance should earn her a more than deserving Oscar. With his insane devotion to the role, he brings all the singular magic of a crazy, original, inventive and irreverent film. A weird and wonderful cinema gem that we rarely see.
By Nicolas Rieux