Julianne Moore and Natalie Portman, creators of Carnage

Cinema releases of the week with Thierry Fioril and Matteu Mastraki: “May December” by Todd Haynes and “Captives” by Arnaud des Palières.

Todd Haynes, who likes to explore the gray areas of American culture, begins with a news item, in the 90s, a married woman and mother, having an affair with a 13-year-old schoolboy, will go to prison, before resuming the affair, and The baby has two children, who were grown up.

Nowadays, a famous actress, Natalie Portman, will meet this woman, Julianne Moore and her family to nurture her role. She is going to turn this story into a film. The relationship between the two women is not healthy: imitation, jealousy, intrusion, the actress goes too far in this approach, and the man, the weakest role of the trio, discovers his own isolation through this external gaze. May December Disturbing, and remarkably played.

captive By Arnaud des Pallieres

Top Female Actors: Mélanie Thierry, Marina Fois, Josiane Balasco and Carol Bouquet, and plays the aforementioned Fanny, who arrives at the Salpetrière Hospital in Paris in 1894 at the start of the film. She claimed to have entered voluntarily, for her mother to watch. Various more or less acute pathologies are presented in numerous patients, who are supervised by unfriendly supervisors, who sometimes subject them to abuse and humiliation.

In this rather terrifying closed door, a sorority will take shape, and art will shed some light, providing a reflection on film observation. insanityA portmanteau term used here to isolate and lock women away, so that one wonders if Fanny herself, represented as a victim, is not mythic.