The Three Musketeers: Milady – or how to finally enjoy it after twenty adaptations. : Kinoscopy

All those who had the opportunity to watch the recently released French film “The Three Musketeers: D’Artagnan” last year (and it is no excuse because it is available in the Netflix catalog), will know what we are dealing with. One of the most interesting adaptations of the classic novel by Alexandre Dumas. Maybe even the best.

Many attempts have been made, as there have been adaptations since the days of the silent films and by actors such as John Wayne, Don Ameche, Gene Kelly, Charlie Sheen, Logan Lerman and Cantinflas himself. All these versions have something in common: they have sought to emphasize the brilliance of choreography and action sequences or the confidence of romance and comedy, aside from the novel’s richness in social criticism and political intrigue. of pre-revolutionary France.

However, the adaptation proposed by Martin Bourbonlon emphasizes political intrigue, with a touch of romance and delves into the personal relationships of the three musketeers and, of course, D’Artagnan. This particular installment focuses on D’Artagnan’s attempts to locate Constance Bonacieux, who was kidnapped at the end of the first episode, but never ignores the political tensions caused by religious conflicts leading to an assassination attempt on the king. and the constant threat of invasion by the British crown.

Bourboulon somehow manages to modernize the original story, reloaded into a magnificently written script, which explores the personal dilemmas of the characters without losing the focus of the general story. It respects the original setting through careful and detailed art design supported by objective photography, which varies from handheld cameras during battles and sexual encounters, to opening and beautifully framed shots during moments of calm. The use of drones is also appropriate.

The action sequences (as they were in the first part), are spectacular and appropriate, filmed almost hand-held and perfectly balanced with both romantic moments and comic relief (there is no waste in the interaction of the characters of Porthos and Aramis). The editing is adequate, as it maintains a breakneck pace throughout the film, making the nearly two-hour duration barely noticeable.

But nothing shines more than the character who gives this second installment its name: Milady de Winter, played by the always beautiful Eva Green, who turns out to be a great villain, a true harpy, ruthless and treacherous. Lilo gives depth to the character and is extremely charming and sensual, making her ideal for the role.

In short, this sequel stays at the level of the first installment and leaves the viewers eager for the third part, which will have the outcome of the story.

Tags: Eva Greenless Trois Musketeers: Milady The Three Musketeers: MiladyLouis Garrel Martin Bourboulon Vicky Cripps Vincent Cassel