mark ronson Its Barbies guess. soundtrack executive producer barbieand a music scholar known for his work with artists such as Amy Winehouse and Lady GagaHowever, something is scattered around the room. A Muneca creates a division on a Moog synthesizer.
“I went to Toys R Us and I couldn’t find it a single cane“, series. Occasionally, “this is the theme of the movie, Eventually Mattel sent him some; Kane who lives in Ronson’s studio is, appropriately, shirtless.
the sound of barbie
find the sound of barbie A film with such a rich visual palette required careful thought and research. Finally, I create a soundtrack consisting of Lizzo, Billie Eilish, Dua Lipa (who also star in the film) and more actors.
But it all started with a simple text message.
Project Music Supervisor, George Dracolias, she asked Ronson a quick “¿Barbie?” Thrown away. Ronson read the script and agreed to participate. Too I composed the original score with his collaborator, Andrew Wyatt.
Ronson set out to work in film music, but the actual production of a soundtrack album and the music of an entire film, and especially a film of this size, was new territory. “There was a lot of learning on the job,” he says.
The soundtrack began with two tracks: a pop song for a dance number and A Powerful 80s Song for Ken (a more “self-aware and campy style”, as Ronson puts it).
Ronson experienced an inspiration and a rhythm: a deviation from his overly obvious first plan of writing “80s sugar pop”, and, instead, landed on “something sweet and wonderful … with something hard”. perfect for Dua Lipa. it all changed dance the night awayLipa’s song which appears in the main trailer of the film.
origin of the song bus cane
Kane’s song came in a different way. At its greatest extent, Ronson works in instrumentals: When I Wrote shallow with Lady Gaga and Bradley Cooper a star is born, For example, as he recalls, he contributed the lyrics to “Let’s crash through the surface where they can’t hurt us”, only to fill in gaps in the poem.
but for the song that would become bus cane Ronson couldn’t avoid the lyrics of Ryan Gosling’s song: “I’m just Kane, anywhere else I’d be 10”.
So he sent a demo with a few verses to director Greta Gerwig, including a song about “ruby fragility”.
If I sent it to Gosling, who plays Kane in the movie, he immediately assumed I needed to sing it. The soundtrack to any movie scene became its own musical moment.
create a great soundtrack
At first, Gerwig used the Bee Gees and discothèques of the ’70s as a reference point for Ronson.
“You remember Chicago (Disco Demolition), where everybody burned their disco records, fibre de saturday por la noche I had reached the max point and the poor Bee Gees said: ‘We just wanted to make people dance! ¿Que hisimos mal?”, says Ronson. “She’s ‘Barbie'”.
In any case, the idea is more thematic than a Sonic Guide. The mood board was extensive and included “Dolly Parton, Olivia Newton John, nine to five,” Ronson explains.
This demostra por que la soundtrack de barbie Several pop genres are included, including reggaeton tracks. watati Courtesy Karol jiK-pop chicle from the group Fifty Fifty with Kleeii barbie dreams and piano ballad with falsetto what am i made for In billie eilish,
For Atlantic Records, which released the soundtrack, collaboration and diversity were important.
,All of these actors were initially tricked into watching the screening with Mark, Greta and the filmmakers. Brandon Davis, executive vice president and co-director of pop A&R at the store, “had scenes for people who wanted to write their own music”. “Each of these artists wrote songs about specific ways that Barbie was important to them.”
Ronson echoes this sentiment.
“Karol G said: ‘I am here because I love Barbie. This incredible film was not waiting for me.’ It’s incredible”, she says. “Y HAIM had this encyclopedic knowledge. The only VHS they were allowed to watch in the ’90s, when they were little girls, was Barbie’s VHS. Every song was known”.
Other Tuvieron Functions: pink by Lizzo, which ends with the voice of Helen Mirren, inspired by the lead Barbie, played by Margot Robbie, who lives her perfect day. And due to the fact that the film is a comedy with complexities of the real world, the humor in the composition of the songs featured heavily, it is in hey blondie by Dominic Fike, as well as in several samples speed drive by Charli XCX.
“(Soundtrack) is an area where we understand the code and discover how to make it work in a way where we creatively support our partners,” says Kevin Weaver, president of Atlantic Records West Coast. Other important soundtracks such as those on film series fast and furious, i’m down with the same star or the great showmanwhich provides great breakthroughs like See you by Wiz Khalifa and Charlie Puth, boom clap charli xcx by y This is merespectively.
But the difference between these films, part of the acquisition process barbie I requested a tour of the Muneca factorywhere Atlantic executives were able to see the Barbie creation process from start to finish.
When dealing with well-known intellectual property, soundtracks bring certain risks. Bring back Aqua’s dance success from 1997, Barbie Girl, or reapply it? Nicki Minaj must-see: Her fans call themselves Barbz.
“I remember, without any disrespect, that there was a song in the new edition Ghost Busters And I believe six of the 12 songs were reinterpretations of (‘Ghostbusters’ theme) composed by Ray Parker Jr.,’ says Ronson. “Everything fits into the Sensillo we have with Nicki Minaj and Ice Spice”, he continued, referring to the re-expansion. Barbie Girl,
“I’ve never been an executive producer of anything before,” says Ronson.i like this movie. We had an incredible partner in Atlantic Records.
Mark concluded: “And I’ve got to score, I’ve learned a lot on the job, It was something that had never been done before… It’s fun to show people different visions and make them look great.’
(tags to translate) ryan gosling