They reveal details of the funeral of Lalo Rodríguez

The remains of singer Lalo Rodríguez will be exposed at the Ehret Funeral Home in Río Piedras this Monday, December 19, starting at 11:00 am, the family spokesman, chiropractor Fidel Estrada, reported this afternoon.

In a press release, Estrada indicated that the wake for Rodríguez, who was found lifeless last Tuesday, in building 54 of the Sabana Abajo residential complex, in Carolina, is part of ceremonies coordinated by the salsa singer’s children, relatives and grandchildren to “honor his life and successful artistic career of the virtuous boy who was born to sing to the world.”

Likewise, the funeral will include a spiritual recollection by the Christian singer, Samuel Hernández, at 2:00 pm, a message from Pastor Alex D’Castro at 5:00 pm and a presentation by Lalo Rodríguez’s La Fabulosa Orchestra “with a surprise guest singer” in which they will perform the hits of “El Canario de Carolina”.

Meanwhile, the salsa singer’s funeral will continue on Tuesday, December 20, with a religious service, starting at 9:00 am in the Municipal Recreation Plaza of Carolina, hometown of the interpreter of “Máximo Chamorro.” Then, at 10:00 a.m., the La Primerísima orchestra led by Tommy Olivencia will say goodbye to Lalo with a musical tribute, to culminate with the singer’s burial at the Santa Cruz Cemetery in the same town, at 1:00 p.m.

With a career spanning over 45 years, the voice of hits like Come eat me again, Enchanted sadness, Yes, I lied to you, But you came, Nothing of you Y you don’t know how to want he distinguished himself as one of the most celebrated voices in the history of salsa in his native Puerto Rico.

Ubaldo Rodríguez Santos, the artist’s given name, was born on May 16, 1958 in Carolina.

Although she sang at patron saint festivities in Puerto Rico and on radio and television since she was 9 years old, it was at the age of 12 that she formally began her artistic career by joining the Tempo Moderno orchestra as a singer.

According to data from the National Foundation for Popular Culture, he made his debut on a record at the age of 16, with the Eddie Palmieri orchestra. The album, titled The Sun of the Latin Music, became the first salsa album to win an Anglo-Saxon Grammy Award. The veteran salsa player shared that it was Palmieri who baptized him with his artistic name “Lalo”.

In 1976 he participated in the recording Introducing Lalo Rodríguez & Simón Pérez, of the musician and composer Tommy Olivencia.

In 1980 he launched as a soloist. Her first full-length record was Just… Lalo. In 1982 she produced her album Lalo againand continued in 1985 with Boy, the man who is dreamy is crazya philosophical theme that later prompted him to record his album Semicolon.

His record production a new awakening, in 1988, marked the return of Lalo to the artistic world after four years without recording. the simple Come eat me again, became his biggest hit. The theme reached the first places in Panama, Peru, Colombia, Venezuela and Spain, where it received a platinum record and a gold record for the sale of more than 200,000 copies of the theme.

In his homeland, a new awakening it stood out as the best-selling album in 1988, which earned it a gold record.

In 1989 the singer-songwriter won three major awards from the prestigious Billboard magazine: singer of the year in tropical music, song of the year for Come eat me againand best record production of the year for his album a new awakening. That same year he released the album Sexsational..!

In the early 1990s, Lalo made presentations in Spain in La Coruña, Vigo, Bilbao and Madrid. In one of those, the famous arranger and producer Quincy Jones was among his audience.

His discography in the 1990s includes I was born to sing (1994) and I’m here (nineteen ninety six). In Spain, he became the first salsa singer to win gold and platinum records for the sale of more than 100,000 units sold in the Iberian Peninsula.

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