Michel Franco, “Sundown”, and González-Sinde, “El comensal”, together with Tom Cruise

Marisa Montiel

Madrid, May 26 (EFE) .- Weekend to choose between calm premieres, friendly and fun cinema, animation or horror, and even some movie “of those to think”, such as “Sundown”, by the Mexican Michel Franco, or “El comensal”, the return to cinema by Ángeles González-Sinde, about the aftermath of an ETA assassination.

“TOP GUN: MAVERICK,” FEATURING TOM CRUISE, GOES AHEAD TO THURSDAY

“Top Gun: Maverick”, a sequel to Tony Scott’s 1986 film, advances its premiere to Thursday, after Tom Cruise received a tribute this week at the Cannes Film Festival, where he presented the continuation of the film that catapulted him to fame 36 years ago.

“SUNDOWN”, THE PEACEFUL INDOLENCE OF BEING RICH IN MEXICO

Michel Franco returns to Spanish theaters after the shocking and multi-award winning “New Order” with another story of the poor and the rich, this time focused on a full-fledged vacation for the wealthy Bennett family at a resort in Acapulco that is interrupted by a call announcing the death of a family member.

Alice (Charlotte Gainsbourg), who is there with her teenage children, decides to cut the trip short while Neil (Tim Roth) pretends to have lost his passport and stays in Mexico, indifferent to such tragic news.

GONZÁLEZ-SINDE PREMIERES “EL COMENSAL” AFTER 14 YEARS WITHOUT FILLING

Winner of two Goyas and a silver Biznaga as a screenwriter and director, apart from being a former Minister of Culture and current president of the Royal Board of Trustees of the Reina Sofía, Ángeles González-Sinde recovers her facet as a screenwriter and director fourteen years after “A word of yours” ( 2008), to adapt the novel “El comensal”, by Gabriela Ybarra.

The film, which features Susana Abaitua, Ginés García Millán, Adriana Ozores, David Luque and Fernando Oyagüez in the cast, is an autobiography in which Ybarra recounts the consequences for his family of the murder at the hands of ETA of his paternal grandfather, the businessman and politician Javier de Ybarra, in the summer of 1977.

“IN ANOTHER PLACE”, OR THE STORY OF A DONKEY AND TWO CANTABRIAN COWS

Jesús Cerro, director of television series such as “Médico de Familia” or “Un Paso Adelante” directs this friendly comedy that brings together two “old” acquaintances of the director, Miguel Ángel Muñoz and Pablo Puyol, who play the uncle and nephew to the hunting for an inheritance that will help them in their battered economy, even if it comes from a grandfather they have never heard of.

With the participation of the Mexican Esmeralda Pimentel, Cerro composes a rural story, whose Santanderian landscapes are another character, where the characters are crossed by supernatural situations that help them understand their destinies.

“MAIGRET” TAKES THE ORONDA AND CAUSED FIGURE OF GERARD DEPARDIEU

Patrice Leconte (Paris, 1947) directs and adapts Georges Simenon’s novel “Maigret and the dead girl” to a screenplay, one of the cases that the veteran commissioner solves thanks to his patience, his capacity for observation and his bonhomie, without presupposing nothing in advance.

Played by a huge (in every sense) Gerard Depardieu, Leconte manages to convey the old, dank atmosphere of 1950s Paris when one night, after a party, a young woman turns up dead with nothing to identify her. When Maigret crosses paths with Betty, a girl very similar to the victim, he begins to unravel the skein.

TILDA SWINTON MAKES “MEMORY” WITH APICHATPONG WEERASETHAKUL

Written and directed by Thai director Apichatpong Weerasethakul, winner of the Palme d’Or at Cannes for “Uncle Boonmee Remembers His Past Lives” (2010), “Memoria” is a co-production between Colombia, Thailand, France, Mexico, the United Kingdom and Germany that It has been shot in two languages, English and Spanish.

The story follows Jessica (Tilda Swinton), a British botanist based in Colombia who wakes up one night to an otherworldly sound. The protagonist embarks on a journey to the heart of the jungle in search of the origin of this noise that only she seems to hear.

“COSTA BRAVA, LEBANON”, MOUNIA AKL AND CLARA ROQUET MAKE MAGIC

Second feature film by the Lebanese director, based in New York, Mounia Akl, who writes the screenplay for “Costa Brava, Lebanon” jointly with the Barcelonan Clara Roquet (“Freedom”).

A social drama in which a couple decides to leave the toxic pollution of their hometown, Beirut, in the hope of building a utopian existence in a pristine home in the mountains, with an exceptional protagonist, Lebanese director, producer and screenwriter Nadine Labaki.

“LA MIF (LA FAMILIA)”, ALMOST A DOCUMENTARY ABOUT TEENAGERS

From French director (and former basketball player) Fred Baillif, “La MIF (la familia)” arrives in Spanish theaters, an almost documentary fiction about a group of teenage girls who are admitted to a foster home together with social workers. This experience creates unexpected tensions and intimacies.

BEYOND THE SQUID GAME IS “LA DESLIFE”

Agustín Rubio Alcover (Valencia, 1978) makes his directorial debut with “La desvida”, a horror film starring Julio Perillán, Tábata Cerezo and Telmo Yago, based on an original story by the director.

The film follows a couple of children’s literature authors who return to the house where they tragically lost their son to gather their things and head off on opposite paths, only to find a message from the boy inviting them to participate in a game of tracks.

“BOB’S BURGERS: THE MOVIE” ANIMATION WITH KETCHUP FLAVOR

Loren Bouchard and Bernard Derriman direct this family-friendly animated comedy produced by 20th Century Studios and Fox Animation Studios for Walt Disney Pictures.

A burst pipe creates a sinkhole right in front of Bob’s Burgers, blocking the entrance to the burger joint and derailing the plans of its owners, the Belchers; While the adults struggle to keep their business, the kids try to solve a mystery that could save the family restaurant.

ANIMATION AND JAPANESE HORROR IN “JUJUTSU KAISEN 0: THE MOVIE”

Sunghoo Park directs this manga with a script by Hiroshi Seko, a prequel to the anime series “Jujutsu Kaisen.”

Yuta Okkotsu, a nervous high school boy, has a serious problem: his friend Rika has become a “Curse” and won’t leave him alone. Since Rika is not an ordinary Curse, he catches the attention of Satoru Gojo, a teacher at the “Jujutsu” Institute, where exorcists learn to fight Curse.

THE MYSTIC OPTION: “OLD SOUL”, ETHNOFICTION CINEMA

Álvaro Gurrea writes and directs this ethnofiction film that explores alterity and questions the myth of progress in the neocolonial reality of the South Seas islands.

Yono, or Mbah Jhiwo (Old Soul), is one of the miners who daily carry large sulfur rocks up the slope of the Kawa Ijen crater. One morning, unexpectedly, his wife leaves the family home, disrupting a routine in which time seemed suspended.

PAU DURÀ JOINS EDU SOTO AND MALENA ALTERIO IN “TOSCANA”

Pau Durà premieres his second feature film after the intimate “Formentera Lady”, a comedy entitled “Toscana” starring Edu Soto, Malena Alterio, Francesc Orella and Durà himself.

Santi goes to an assisted reproduction clinic, where his wife is waiting for him, with a bottle of sperm in his pocket; his Vespa crashes into a hit-and-run vehicle. Looking for help, he gets trapped in the Toscana restaurant where, at gunpoint, an ex-chef demands compensation from his owner.

“THE SKIN ON FIRE”, THE PHOTO NEWS THAT HID A DRAMA

“The skin on fire” is the third feature film by director David Martín Porras from Salamanca, who has also written the screenplay, for this drama starring Óscar Jaenada and Ella Kweku.

Frederick Sálomon (Jaenada), a war photojournalist who achieved international fame by capturing the image of a girl flying through the air as a result of an explosion, returns twenty years later to the country where he took the photograph to collect a prize. But a local journalist wants to kill him for a reason that only Sálomon knows.

THE DOCUMENTARY “RED CUNT” ELIMINATES TABOOS ON MENSTRUATION

The German Toti Baches writes and directs “Red Cunt”, an animated documentary about menstruation and the taboos around it, where the female period is placed “where it deserves to be: in the midst of society and not discriminated against and hidden in a corner”.

The film tries to answer questions such as who takes advantage of this discrimination or what would happen if men had their period, with the help of Mensi, a blood being who accompanies Isabel a couple of days a month for many years.

JUAN PINZÁS ENDS HIS DOGMA TRILOGY WITH “THE HEART OF EUROPE”

Juan Pinzás, Galician screenwriter, producer and film director, the only Spaniard to adopt the artistic postulates of Dogma 95, premieres “El corazón de Europa”, with which he closes a new trilogy.

Here, the filmmaker Julián Pintos and his alter ego are confined to their home, isolated in the countryside during the pandemic that is devastating Europe in the 21st century, and they undertake a strange journey of initiation, in which they will coincide with the mysterious Silver Mask. EFE

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