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HomeNewsThe whole piece is a round thing

The whole piece is a round thing





“Love et cetera”: premiere in the workshop
:
The whole piece is a round thing

Emanuel Tandler’s piece “Liebe et cetera” combines scenic wit and philosophical depth.




neD geW uz dre hsvlnalnupcsreo Prs, oa dei dne bnAed grp, ta eeetrtbi aenumEl ldTnera itm erine imennmieühgtr, nsleovunklt etnsmum .eezSn reD Arotu ndu seeusrigR onv “ibi. thno a bLs” nu srigR onv “ibi sketttaWr enein amuR itechnreni nse, sal erd stsaehui iwe asd rtlieAe ienre eplnelteinexrme eetKl.unprpüsgr Kireduesnr bOek, ejt eni oeMbi, l eni leAnt, ehanuSrnaitgrmt- ien orRa tmi fnAnitlzentrt-nuSei ikentrts-nduSiKentri, nduXBiTn-nuSiKentri-nuSei nien-nuSi ikentri-nuSiKn ien-nuSi nien-nuSi erd Rnmhea, usa ni dme ihcs rive ennseMch ni ngleeb elvOrals eencrfohpftaamr e.egebnw the one ne (irSnda eeZ) nrn carry eien efnPna rmeh, u red edaenr W (ellimh reEi) ls tte a.o. dnu rusMka J. aanmnchB rzgennäe dsa vrtoser reoltows elbnems) E lenzzup uhrme, gnsteie inee iLreet, cohh etemiltrn die halnAz vno dne mi aeRgl agehnneäfgtu Wsrnetü – lalu рудски и дель- chie “Shlca mRzaneo “uz t: Wor“ As being nidaerne hcat heraJ aknnten / d (un man afdr eangs: ies atnnkne ihcs,) utg / amk hire Leebi lptlchöiz .a “endhabn Dsa mhcta ng.eegiuri

lsaiKufer eds eehsBnreg

aaDhnc nfalle satzS eiw iewdeIgrn “msnseü irw aj enei ntäitIitm anaue, buf rvebo wri ies ni dei lhEdnosilsecef ltane” ness dnu “The eebLi is ieen dnprelWpte nI hte lten ttsi eLebi iew ine gncuhotss: pjkrrFoe asu ceiphem, IRRS hiiohoephscrlps dun tssrihhwlirhecfnesanci stkePvi.pere eDi densrenukri ejekObt nfined nnu their ihlcetetx sgrntpnhuEce in nefexnoRlie breü end lauirfKes edr love nud end eKfalsiru of r; enBhsgee ürbe edn hlege “ini on” ag, nf ide irnWtgideeki esd tglAals udn asd wgneäsulaigzf eritcneh.S Erseil atmhc sad imt emd orgßen klZire hacu cptisho cibnehlrv.alahoz Eeni lceashissk sieehchGct htesntet so rnlaüicht nhtic.

tietB ttzej NCHO etelensrie.w IDE chSea wnttecelik ego lhnmiäc to eneim irnreiedpnen, si gnesheicrtie dun of feleuipreSd artgeneneg .Abedn mI ntiweze lTie neegkri it sad hmaeT uahc shichclnme to fna.ses relaTnd süttrtnzuet NSEI Utmneeenhnr tmi ismscezneh, itzW edm nEtasiz of mtPmeS-mtlfoknuienoji , r grSee onGuibrgssa ndu aJne iinBskr J “e atm’ei … oim nno slp” u and eneim Übersnndceaerh tutriAft onv eKat isn.etlW Dei chspureaeSli etüzeebnrs rhie xeteT meiiu nnAnAnA in caengatnE bei anndceaerh rien ov tr (as) Co dnu lieEsr () kaFl itm rde nssilahkesc göEnnuffr “hcI mga Dneeni .Seylt iWe ehsti uD” ed? nn rtehceins sal nobees müstnaae iwe nafüeilhesm heltraaet with heieKruhcid i, nekeptc evoToz sgids.

In neiwtze lTie negel ied feeborssheriLc ierh Oelrvsla ba and rnndvawlee hcis in tLeeu iew du dnu ihc. eWi im ftZfraieer nseectrih ise eid ntaoiSnte eerni ihzugnBee, ab veinkiusl irtSe, t tucfehirsE nud .gMssnusit asD perastsi afu red ünheB ebr, neieennnad im lgoDai, neieennnad im lgoDai and uerb e.rKuzn ihzugneal lgne cepsnerh ndu heumWt hs.iaecnnfeu reD eradbth, eneaT erd egüZ inese -loahpbseimLoinrSieesshpie for Fegrnrtoscieetht et, has tened in erd sntEcii, h sasd riw ovm Renge mimre ocnh lie s rBrGestna.

eiD tnhnäces ügfur: nineAfh 5., 1 7, .1 1,8. ., 22 3.2. , 52. 29. nud .03; remeSetbp 2 ,. , 12. ., 15, 20. 2.1 62., 82. ndu 92. tbk.roOe aKtenr eib t.ntnBeokic


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